Forget St. Bart's: the action's in Bedford

It was another whirlwind weekend in Bedford, which is an amazing thing to say in January, when you’d think the entire town has been shuttered. It’s long been said that if you own a retail business in Bedford (or Katonah, Bedford Hills, or Pound Ridge) you should schedule your late January vacation to San Cabos Lucas or Tulum, Mexico, a destination I had never heard of which the New York Times Style section revealed is way cooler now than St. Barts. The Times referred to it as “the anti-St. Barts,” which interests me since I call Bedford the anti-Hamptons. Anyway, for years in January all the chic people in town went away, but apparently that’s the not case anymore as the place to be this weekend it turned out was right here in Bedford. Hip hip hooray.
On Friday night, Mr. Sax and I attended the tres chic party that kicked off Art Show: Bedford, the 39th annual contemporary art show to benefit local charities. The party and the show took place at St. Matthew’s Fellowship Hall on Cantitoe Street and it was absolutely the place to see and be seen. First place artist Ashley Andrews was on the scene to talk about “Maya One,” her winning picture. The show featured the work of 37 artists and was both exhibition and sale, and the party, which was very well attended, was a lively mix of artists, show committee members, show patrons and benefactors and angels and donors and friends of St. Matthew’s and fans of art. I chatted for awhile with one of the show judges, Neal Watson, director of the Katonah Museum of Art, and his beautiful author wife Jude, and their daughter Chloe. There was a wine and beer bar and yummy snacks catered by Table Local Market. Bedford is not Soho, but the assembly were very stylish. I complimented one woman on her sexy, black, ornately patterned hose and she gaily replied that they belonged to her daughter. “This is the real Bohemian Grove,” I overheard one man say, a sly referral to the exclusive, secluded campground in California’s Sonoma County, site of an annual select two-week gathering of men including every Republican president since Calvin Coolidge. Few journalists have been admitted into the Grove and allowed to tell the tale, but here I was at Art Show: Bedford, throwing back glasses of Pinot. It was a great show, an even greater party. I loved it.
After we’d looked at our fill of art (and of course anything with a horse I found enchanting ), we adjourned for a late supper at the Farmhouse at Bedford Post where to our relief we could still get a table for two on a Friday night at short notice. Well, it was after 9. I love the main dining room of the Post. It’s so wonderfully country chic and elegant. It being rather late and having already eaten plenty of the Table appetizers, we went directly to ordering our entrees. I had the smaller portion of some delicate knots of pasta stuffed with what I believe was fontina cheese, pureed chestnuts and squash and served in a buttery bouillion broth. Mr. Sax had fish, turbot, I believe. The exquisite winter menu, conceived by my favorite local chef, Jeremy McMillan, is entirely seasonal and dependent on what’s fresh and in the market.
An added value to the tastebuds are the several amuse bouches the chef sends out. Not being a lover of goat cheese, Mr. Sax did not care for the one featuring goat cheese and honey (I ate both mine and his), but we both exclaimed over the soupcon of soup, which was pumpkin-y and rich and warm and hearty. For dessert we shared an amazing deep dish dark chocolate gelato served with whipped cream and a peanut brittle crunch. For class and sass, hands down, The Farmhouse is my favorite restaurant. The wine, even by the glass, is great, and I’ve always had excellent service.
Saturday night, after being pinned in the house all day due to snow, we ventured to Via Vanti where the Katonah Studio Jazz Band was doing a show. Mr. Sax, in case you haven’t guessed, is in the band. He plays sax. Also playing that night were Robert Kessler, a Grammy-award winning composer, audio producer and pianist; bassist Lester Harper; alto saxophonist Emily Tabin; and drummer Eric Katz. The room was packed; a much ordered dish on that chilly evening was a tummy warming concoction of escarole served over carrots, celery, cannellini beans, tender chicken and roasted tomato. As I’d had too much to drink the night before, I thought it wise to stick with decaf cappuccino. Via Vanti makes an outstanding one. It’s hot and strong and foamy enough on its own, but even better paired with one of the restaurant’s many handcrafted gelatos.
It is a trial on these dead of winter nights to rouse oneself to leave the house. When it’s below 30 degrees, I realize the siren call of watching back to back DVRed episodes of Andy Cohen’s “Watch What Happens,” or even a Lifetime movie is compelling. A friend I inveighed to join us Saturday evening laughed me off at 8 p.m., saying she was already tucked into bed in her jammies. Having spent most of the day snuggled in with my dogs, including Rinaldo, our recent Chihuahua rescue, I got her point. But considering the level of culture I enjoyed both from the art show and an evening of live music, I’d say it’s worth tugging on your daughter’s panty hose and getting out some winter nights.